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CategoriesGuest Expert

By Jennifer Miller, OgilvyEntertainment Associate

For decades, television ratings have been based on the Nielsen standards, but with the changes in the way people watch TV, standards of measurements should be changing as well. In a recent article in Wired Magazine, experts discuss how advertisers and media companies are hustling to adapt to consumers. According to the article, “it’s not rare for a huge portion of a show’s audience to watch it well after it originally aired” indicating that the “real-time” analytics that Nielsen ratings once gave us may not be an accurate representation of the show’s reach and success.

TV viewers access content via smartphones, tablets and computers, and they love having the control to watch how and when they want. With the rise of the second screen (or “the first screen” as Doug Scott considers mobile), consumers are also engaging with TV content more than ever before. Watchers are using Twitter, Facebook and other social platforms to react to what they are watching. Capturing and analyzing this sentiment could drastically change the ratings of shows.

As a result, Nielsen has made some adjustments to their model to account for this, but is that enough? Today, the socially driven consumer has so many more outlets for expressing sentiment around television. Is it even possible for us to capture it or synthesize it? Twitter’s recent partnership with Bluefin Labs will allow companies to better understand social TV analytics. Not only does the platform evaluate shows but it can also evaluate commercials, thereby helping advertisers to evaluate the effectiveness of their content and craft more targeted messaging. To read more, head over to Wired’s The Nielsen Family is Dead article here: http://www.wired.com/underwire/2013/03/nielsen-family-is-dead/

Tune in for the newest episode of Horizons airing this Friday at 9:30pm and Sunday at 10:30am and 4:30pm (all times EST). Halfway through the segment, be sure to catch our documentary-style commercial ”Sweetness of Victory” in partnership with DuPont and TwoFour. The short film was shot in Meerut, India, where DuPont is helping mill owners to increase their sugar cane productivity.  Fun fact: India is the second largest producer of sugar cane in the world!

Check out more mini documentaries here.

CategoriesGuest Expert

By Jennifer Miller, OgilvyEntertainment Associate

What does the future of TV look like? Rumors surrounding Intel’s newest product indicate that they have a pretty good idea. Intel’s new product, still nameless to the public, has the potential to be king of user experience when it comes to television and viewing technology. It hints at seamless, customized online viewing of your favorite TV shows and movies across all types of screens.

Rather than hosting cable television, the product will actually act “a cable operator itself” delivering television to viewers in a completely customizable way. Platforms like Netflix and Hulu already have an algorithm that helps viewers to find the shows that match their viewing habits, so why shouldn’t your TV do this for you too? Intel’s technology will.

The question arises then, where is the place for advertisers on this platform? If the integration of cable television via Intel’s product is a replacement for a cable provider, then the viewing experience of TV shows will likely remain the same. What will change is the ease of watching your favorite shows with enhanced customization based on your viewing habits (similar to what Netflix and Hulu already offer). Depending on its interface, advertisers will need to adjust their tactics in order to reach consumers switching to this platform. If the technology decreases the need for traditional television ads, this will increase the opportunity for even more branded content.  Read more on AdAge here: http://adage.com/article/media/intel-cooks-future-tv-a-potential-mess-cable/240723/

CategoriesOp-Ed

I challenge you to put forth a better case in naming THE brand leading the charge on branded content than Red Bull. They’ve been at it for a while, so its fair to say that they’ve got a head start; but as global brands wake up to a new era of content marketing, lessons from the irrefutable leader can be gleaned from the single campaign of Stratos, featuring a death-defying Felix Baumgautner.

On October 14th, 2012, Red Bull launched Felix into the air where he rose to 39km above the Earth’s surface. With one deep breath, he jumped from the stratosphere and plummeted to the ground at 1,342 km/hr, becoming the first human to break the sound barrier without any form of engine power.  Behind the camera, Red Bull Media House brought the entire event to a global audience in real-time through a multi-platform distribution network, delivering the most-watched live stream in history.

Do It Your Way - 

The Stratos Team determined what the perfect conditions and location needed to be for the stunt. It was not influenced by where a physical audience would be (i.e. should Felix land in Times Square), what location was convenient to headquarters, etc. They waited until the weather was right, ensuring that risks of wind or storm interference were minimized. The physical goal of the mission was paramount in all decision making, which kept alignment of all supporting activities laser-focused.

Red Bull has long focused on extreme sports, many of which incorporate the attempt or act of flight. It is the right fit for the brand, a simple A to B to C relationship: Red Bull ‘gives you wings’, wings give you flight. When your team has a straight-forward litmus test asking ‘how does this program support our big ideal?’, you maintain a strategic alignment on the goal of every program.

Hedge Your Risks - 

There is no doubt that Felix’s jump took on an inconceivable number of risks. Every layer of atmosphere presents a new set of challenges, every piece of equipment could change from a protective device to a substantial threat in a matter of milli-seconds. The planning and rehearsing, the attention to detail, no point was too small to ensure it was correct.

As a brand, Red Bull realizes that every campaign should add value. It is great to experiment, but experimental programs should be taken on with some expectation on outcome. You need to build insights by thinking strategically – what do I need this program to do for me and how should I build it in order to achieve that objective? By knowing what success looks like and how we believe we’ll get there, we can minimize risk of failure.

Quality over Quantity - 

I speak for all of us when I say that I would prefer to watch the same Stratos jump 100 times than watch 100 different lesser attempts — and will also remember it long after the event has passed. The quality of the production gave us a multitude of camera-angles, layers, channels, and storylines with which to engage. Yes, this was a significant investment by Red Bull into a single ‘moment-in-time’ stunt, but the preparedness, planning and quality of stunt captured the world’s attention. I personally was quite amused when Horizons on BBC World News – developed independently by BBC World News and based on OgilvyEntertainment’s and DuPont’s original concept – was interrupted for live coverage of the stunt. This moment qualified as legitimate worldwide news!!

In 2012, Red Bull Media House shared that they produced approximately 600 hours of content. When you consider that YouTube’s latest stats boast seventy hours of content uploaded every minute, it makes 600 sound a bit low. When you select the right channels, ensure your content is desirable, inviting, and share-worthy, you reinforce the quality of the brand. It is not how much you say, it is how you say it.

If you’re lucky enough to be attending MIPTV this year, you can catch Felix and Alexander Koppel, Red Bull Media House CCO, in an exclusive MIPTV Media Mastermind Keynote on Tuesday April 9th at the Cannes Majestic Hotel. The session will also be available via MIPBlog’s YouTube channel for those who can’t make it in person.

CategoriesUncategorized

OgilvyEntertainment Press Review is a collection of the latest client, branded entertainment, and industry news.

Read Making magic, using logic: the Ogilvy Branded Entertainment Assessment ModelTM.

April 8th, 2013

 

BRANDED ENTERTAINMENT

Perrier celebrates 150 years with Perrier Secret Place digital experience The Drum 04.04.13 Perrier sparkling natural mineral water has unveiled a digital experience to allow the public to participate in a ‘secret party’ in Paris through the eyes of 60 different mysterious characters. Created by Ogilvy & Mather Paris, the campaign also invites visitors to enter a sweepstakes for a chance to win an invitation to one of five of the wildest parties across the globe.

Axe saves Face With Skincare Line as Brand Gets Ready to Head to Space brandchannel 04.03.13 The idea of launching the Axe Face Line with a Facebook promotion obviously was too literal. So the Unilever brand is launching its new line of facial-care products instead with a “Facescore” campaign on Tumblr as a social face-off, supported by ads running on various media websites — and, of course, a presence on Facebook too. In doing so, Axe is entering a segment of the men’s care business of the first time — a more challenging territory than when it had a fairly singular focus on helping young guys simply smell great so they could attract hordes of women.

Is New Wes Anderson for Prada Short Film Wes Anderson Enough? brandchannel 04.02.13 Branded content is the hot new thing. Prada is the latest to the game with a short film directed by indie darling Wes Anderson and starring French actress Léa Seydoux. Anderson is best known for charming films filled with twee sensibilities such as Rushmore, The Life Aquatic, Moonrise Kingdom and The Royal Tenenbaums. But Anderson is actually an old branded content auteur.

ADVERTISING

Solixir Energy Drinks In ‘Working Dead’ Campaign Marketing Daily 04.03.13 Solixir, an energy-drink brand positioned as an “all-natural, healthy” functional beverage/dietary supplement, has launched a full-out marketing push in the heart of Chicago, with a campaign dubbed “The Working Dead.” The zombie-spoof campaign (“Fighting the Working Dead One Can at a Time”) spans “advertising dominations” in Chicago’s rapid transit system or “L,” deployment of Working Dead zombies, street teams working the Loop business district, and social media activations.

Facebook Highlights Ad Performance In Ads Manager Tools Online Media Daily 04.02.13 Facebook on Tuesday said it has updated its Ads Manager tool to let advertisers more easily see how campaigns are performing against specific goals and assess ROI. When marketers create their ads in the ad create tool, they can choose from the following advertising goals: get more Page Likes, promote Page posts, get new users, increase app engagement and increase attendance for Facebook events. The Ads Manager will then display the actions — such as Page Likes — that an advertiser cares most about more prominently in their campaign summary page and calculate the cost per Page Like for their ads.

New Mobile Ad Units Will Speak To Consumers, Literally Online Media Daily 04.01.13 If a picture is worth a thousand words, what’s the value of a voice? That’s what Madison Avenue is about to find out as one of the biggest developers of voice and language translation technologies releases a new mobile advertising format enabling brands to literally talk one-on-one with consumers. The format, dubbed Voice Ads, is being rolled out by Nuance Communications, the same company that powers natural language voice programming for Google Voice and Apple’s Siri, and it’s already looking at applications for other media, including out-of-home and television.

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